Client: The Washington Post | AD: Allison Ghaman | MAR 2012
Illustration for The Washington Post’s story about the new HBO show Game Change. This was for the Style’s Section preview of the highly anticipated campaign dish-all show.
Blood's a Rover
Client: Playboy magazine (USA) | AD: Rob Wilson | SEP 2008
Illustration for an excerpt of James Ellroy's book Blood's a Rover, later published in 2009 as the final volume of the Underworld USA Trilogy. Ellroy is an American crime fiction writer and essayist and the author of the acclaimed books Black Dahlia and L.A. Confidential.
The illustration was later published by Art Box International on the Japanese illustration annual New Illustrators File: Volume 9.
Type: sv_cheats 1
Client: Editora Abril, Playboy magazine (BRA) | DEC 2005
Years ago I worked as a web designer for this internet company and whenever work was too stressful, an hour on DUST was enough to make us feel good again. Sometimes my friend Tsunami and I used to go online to bring hell to the other players. I called myself Kommando and without any modesty I was the best sniper around. But that was years ago...
These are illustrations I created for a Brazilian Playboy article about cheats, cheaters and cheat hunters. It was all about Counter Strike from beginning to end and it was one of the most enjoyable work I've ever done.
The opener was later published on Art Box International New Illustrators File: Volume 8 and on Archive 200 Best Illustrators Worldwide 07/08.
Fire in the hole!
Zero Dark Thirty
Client: Entertainment Weekly | AD: Steven Charny | DEC 2012
Zero Dark Thirty was published by Entertainment Weekly in its 2012 Best & Worst issue. It was my first job for the magazine and for Steven Charny, the magazine's Design Director and although the job begun as a real challenge at the time due to the lack of images and information related to the real events, it turned to be quite an exciting and fun experience and one of my best works of 2012.
With a little more than 6 official images of the movie itself and some screen shots of the trailer, I tried to research what I could about what is known of the operation, the people and teams involved and some of the new military equipment used on the assault, such as the GPNVG-18 (Ground Panoramic Night Vision Goggles) and a loose interpretation of the still unknown Stealth MH-60 Black Hawk, both now very popular on the internet, but extremely difficult to find at the time.
Order of the Temple
Client: Aventuras na História | AD: Rodrigo Villas | JUL 2012
Series of illustrations for an article about the Order of the Temple, from its creation to its extinction in the 14th century: their vows and organization, the main battles and their part in the Crusades, their rivalry with other orders, the new financial techniques and the seed of the banking system, the accusations of heresy that lead to their extinction and the legends that surround the Templar Knights until today.
Client: The New York Times | AD: Mihn Uong | MAY 2015
Cover for the New York Times’ Sunday Business Review, commissioned for the article For the Highest-Paid C.E.O.s, the Party Goes On, which in essence is the yearly executive pay report which showcases the millions upon millions of dollars these CEO’s are making.
The British call it "doing a Reginal Perrin". The insurance agents call it "pseudocide". Illustration for Disappearance in the East, an article about being "born again" and planning your death to claim insurance money in the Eastern hemisphere and what it takes to go about successful.
Our Mob Mentality
Client: The Washington Post | SEP 2010
Illustration for The Washington Post Style section about the upcoming series Boardwalk Empire.
After the Storm
Client: Fortune Magazine | JUL 2009
Illustration for Fortune Magazine's article Derivitives: The Risk That Still Won’t Go Away.
Lightning Lap 2009
Client: Car & Driver | FEB 2010
Illustration for Car & Driver Lightning Lap 2009, the magazine's annual car evaluation that took place at the Virginia International Raceway. For their fourth edition of Lightning Lap, they have gathered 22 all-new or revised performance cars. Each car got premium fuel, tires set to the manufacturers’ recommended pressures, and a Racelogic VBOX GPS-based data logger suctioned to the windshield to record lap times and performance figures. Each of the four drivers cycled through his assigned cars at least twice.
Client: Grandes Guerras | AD: Débora Bianchi | MAR 2008
Central poster for Grandes Guerras magazine, the Samurai edition.